Co-Founder, Knock On Wood Tap Studio
A native Washingtonian, Yvonne Edwards is Washington's celebrated "Tap Lady." She has been dancing, teaching, and choreographing for over 60 years. Ms. Yvonne, the co-founder of Knock On Wood Tap
Studio, has taught master classes at the International Conference of Black Dance in Atlanta, the Chicago Human Rhythm Project, the New York City Tap Festival, and throughout the mid-Atlantic
region. Her choreography is included in the repertoire of Capitol Tap and before that she choreographed pieces for Tappers With Attitude (the original tap performing ensemble at Knock on Wood Tap
– that group is now inactive).
A longtime participant in Washington Performing Arts Society's Artists in Schools program, in 1993, she was the recipient of the "Contribution to Dance in the District" award presented by the DC Ensemble, DC Arts and Humanities, and DC Art Works. She has been honored by the International Association of Blacks in Dance, and was named "Tap Teacher of the Year" by the American Tap Dance Foundation. In September 2006, she received the Metro DC Dance Award for "Outstanding Achievement in Dance Education." In December 2006, she received the "Excellence in the Arts and Humanities Award for Education" at the Executives' Ball of Montgomery County, MD. In September 2007, Ms. Edwards received the WPAS Pola Nirenska Award for Lifetime Achievement at the Metro DC Dance Awards.
Jessyka Bagdon grew up in New Hampshire where she studied dance and theatre from an early age. She went on to earn her Bachelor of Arts in dance from Dean College. Jessyka has had the pleasure of studying a wide variety of dance styles, including Tap (Broadway, Rhythm), Jazz (Luigi, Fosse), Ballet (Vaganova, Cechetti, Balanchine), Modern (Release, Limon, Graham, Horton), Contemporary, Pointe, and Musical Theatre Dance. She has also had training in Hip Hop, Street Funk and Ballroom.
Jessyka has experience teaching an array of dance styles, spanning all levels and ages, from toddler through adult. Jessyka has completed Teacher Training School of Dance Masters of America - level two. She served as the choreographer for the 2014 New Hampshire Professional Theatre Association Auditions and was honored to perform with the American Tap Dance Foundation at the City Center in 2014. She spent time training in NYC, while bringing ballet to underprivileged public school children as a Teaching Artist for the American Repertory Ballet, and working as an instructor, choreographer, and production assistant at various dance and performance organizations in northern New Jersey. Jessyka is currently on faculty as a teaching artist with multiple Washington D.C. area arts organizations, including Joy of Motion Dance Center, Knock On Wood Tap Studio, and Perfect Pointe Dance Studio. She is the director of Jazz Corps, a youth performance company at JOM, in addition to an active performing member of District Tap and SOLEdarity tap dance companies.
Bio coming soon.
Gigi Buscaglio, a native Washingtonian, has performed as a featured singer/dancer at such prominent venues as The Kennedy Center, Wolf Trap Farm Park, Blues Alley Night Club, The Smithsonian’s Air and Space Museum, and many other private events in the DC area. She has toured nationally, in repertoire, with The National Players acting company, appearing in Richard III, The Miser, and the musical The Boys from Syracuse. Internationally, Gigi was a featured performer in a USO show, performing a rock-and-roll review for U.S. troops in Germany and Italy.
Gigi has also taught music, dance, and theatre and directed and choreographed for over 25 years at some of the most prestigious Washington area studios and schools, including: Feet First Dance Studio, The Wheaton Studio of Dance, Peters Studio of Dance, DC Dance Collective, The Woods Academy, Imagination Stage, Walter Johnson High School, Churchill High School, Georgetown Visitation High School, and Holton-Arms Academy.
Currently, Gigi also teaches music and creative movement for infants to 5-year olds at The Goddard School in Urbana, Maryland. She also teaches a parent and child class at Knock On Wood Tap Studio and leads many young children-related special events. Her 25-year association with Knock On Wood and the love for and from Ms. Yvonne, Miss Mary Lou Peters, and the tap community are the most cherished gems of Miss Gigi’s life. Tap dancing is her most favorite thing to do in the world.
Victoria Dillon has been dancing since the age of 3, which is probably the first time she saw the Rockettes in the Macy’s Thanksgiving Day Parade from her home in Buffalo, NY. Trained in tap,
jazz, ballet and contemporary, she performed across Western New York before attending Syracuse University. There, she joined many dance companies and became an early member of Orange Pulse, a
company just as committed to dance as to philanthropy.
Her career brought her to Washington where she served as a spokesman for leaders on Capitol Hill and in the Obama Administration. Despite her day job, dance was in her blood.
In 2015, she dusted off her tap shoes and joined the Artistic Rhythms Alliance. She has performed at the NCAA Kickoff Classic halftime show at the Meadowlands, is a regular performer at A Holiday SpecTAPular, a holiday tap show bringing together more than 100 local dancers, and has appeared in countless performances around the DC-Maryland-Virginia area, including with Savion Glover.
Victoria has shared her love of dance teaching for 4 years at Sitar Arts Center, a non-profit arts center dedicated to bringing the arts to students of all backgrounds and reaching 800 students each year, 80% of whom come from low-income households. She believes strongly in the power of the arts as a way to bring people together and to teach respect, control, joy – and if you’re a tapper, how to listen!
Becky Hill is an accomplished and sought after percussive dancer, Appalachian square dance caller, and choreographer. Becky has worked with Footworks Percussive Dance Ensemble, Rhythm in Shoes,
Good Foot Dance Company and studied with an array of percussive dance luminaries.
In 2013, she was involved in Wheatland Music Organization’s Carry It On... Project under the directorship of Sharon Leahy, where she was commissioned to choreograph two dance pieces in honor of the festival’s 40th anniversary. In 2014, she was awarded a West Virginia Division of Culture and History Professional Development Grant to further her study of percussive dance and conducted her 200 Hour Hatha Yoga Teacher Training at Rishikesh Yog Peeth in India. She served as Artist in Residence at Davis & Elkins College from September 2013 - December 2015, where she coordinated The Mountain Dance Trail of Augusta Heritage Center and co-directed the Appalachian Ensemble. Together with noted folklorist Gerry Milnes, she produced a documentary film on West Virginia dance traditions, "Reel ‘Em Boys, Reel ‘Em," and currently serves part-time as the events coordinator for Augusta Heritage Center. Becky organized Dare to be Square West Virginia in 2013, 2014, 2015 & 2017 and Helvetia Hoot in 2019.
In January 2016, Becky was awarded an additional West Virginia Division of Culture and History Professional Development Grant to study with Sandy Silva in Montreal, Quebec, and Yiota Peklari in Athens, Greece, in order to deepen her understanding of performing, creating and improvising within percussive dance. Becky served as the Interim Movement Teacher at Linden Waldorf School in Nashville, Tennessee 2017-2018 school year. She performs regularly with the T-Mart Rounders alongside Jesse Milnes and Kevin Chesser. In 2017, she directed and danced in her first full-length music and dance work inspired by Appalachian traditions, Shift and in fall 2018 she was selected as a fellow for OneBeat, a U.S. State Department Cultural Diplomacy Program.
Becky has performed at Jacob's Pillow, Newport Folk Festival, Mountain Stage Radio Show, Wheatland Music Festival, Big Ears, Nelsonville Music Festival and many others. As an avid organizer and teacher, Becky's work is deeply rooted in the connections between music and community.
James "Jazzy Jim" Hughes
James L. Hughes has been teaching at Knock On Wood for the past 4 years. He is recognized for his melodic tap rhythms and inspired work as a soloist, teacher and choreographer. Jazzy Jim (as he is known by his peers and colleagues) helped develop a "Tap for Boys" program at KOW, where he is also a popular teacher of adult classes.
In 1986, Jim began taking tap at Cindy King Dance Studio. In 1993, he also began studying at Knock On Wood, where he honed his skills under the expert guidance of Yvonne Edwards, Studio Director and master tap dancer. James has continued his studies through master classes with professional tap artists such as Dianne Walker, Barbara Duffy, Brenda Bufalino, Robert Reed, Lane Alexander, Maurice Hines, Buster Brown and Dr. Henry LeTang, among others.
James has taught at Christian Dance Academy for 5 years and has brought dancers from there and from Knock On Wood together for an exchange of dance training (ballet and tap). Jazzy Jim's advanced tap students from Christian Dance Academy have also been showcased at Knock On Wood's "Open Mic Night."
In 1997, Jazzy Jim performed as a solo artist in Showstopper American Dance Championships and placed first. The legendary Peg Leg Bates told him after watching him dance at a Washington DC tap festival, "I like your dancing. You got good feet!" James performs at local venues, cabarets, local festivities, tapping for the Lord in church and inspirational dance productions, open mic nights and at National Tap Dance Day festivities.
Raised in the Rockville, MD/DC Metro area, Katharine has been studying tap dance since the age of 4 under the watchful eye of DC’s Tap Lady, Miss Yvonne Edwards. With an emphasis on musicality, cleanliness/clarity of sound, and improvisation over ‘”flash” and acrobatics, Katharine studied for 18 years with some of the most accomplished and knowledgeable tap dancers in the country. This list includes Baakari Wilder, Lisa Swenton-Eppard (Capitol Tap), Dianne Walker, Jason Samuel Smith, Derrick Grant, Sarah Reich, Chloe and Maud Arnold (The Syncopated Ladies), Dormeshia Sumbry-Edwards, Michelle Dorrance, Joseph Webb, the late Harold Cromer and others.
Katharine was a member of Knock On Wood Tap Studio’s Tappers With Attitude (TWA) and is currently a member of Capitol Tap. She has participated in many tap festivals and cutting contests over the last decade including the annual DC Tap Festival, Syncopated Ladies Boot Camp and the New Jersey Tap Festival, where she won 1st place in 2014 and received a scholarship to the Los Angeles Tap Festival.
As an African-American dancer and scholar, Katharine’s work often focuses on matters of social justice, equality and historical accuracy, and shows her love for tradition.
Katharine performed in the 2016 American Dance Festival College Association SE Conference, the 2016 Black Theatre Network Conference and now tours with Davis & Elkins alumna, singer-songwriter Kaia Kater, who was featured in The Rolling Stones’ “top ten upcoming artists” 2016 review. She also presented at the APAP conference in New York City.
Katharine Manor has BA in American Vernacular Dance from Davis & Elkins College, where she studied with professors Laurie Goux, Becky Hill, and Emily Oleson.
Michelle Michaels is a tap dancer with over 25 years of experience who has been a part of the DMV-area tap community since 1999. Tap dance continues to be her outlet for fun, creativity, and making music outside the office. Michelle’s teaching credits include beginning through advanced levels at various performing arts and dance education schools in the Washington, DC, Maryland and Virginia region.
Michelle continues to be both a performer and a student. She has performed with several of the DMV-area tap groups in her tap career, and currently you can catch her with Sundays on Tap, an adult tap company based in northern Virginia. She also continues to expand her knowledge in tap technique, history, music theory, and composition, passing it on to her own students. Though she studied most under Heidi Schultz, Michelle has pursued opportunities and intensives with Dianne Walker, Heather Cornell, Hillary-Marie, and several other master tappers.
Michelle’s performance credits include the Kennedy Center Millennium Stage, the Kennedy Center Concert Hall with the National Symphony Orchestra (NSO) Pops, and Lincoln Center with the New York Philharmonic Orchestra. In addition, she has performed in various local forums including TAPS Alive!, the DC Tap Festival, the Annual Holiday SpecTAPular, Small Plates, Glen Echo Carousel Day, and One Love Manassas.
Michelle is a graduate of American University with a Bachelors Degree in Mathematics and a Masters Degree in Economics
Carrie has been dancing since 1985. She first studied ballet at St. Mark’s Dance Studio at the age of 5. She explored other dance genres at Fran’s Studio of Dance in Oxon Hill, MD, where she studied ballet, tap, jazz, lyrical, drama. Carrie was also a member of the P.M. Dance Company for 4 years under the direction of Fran Peters. She successfully competed locally and nationally for solo and group performances.
While attending Our Lady of Good Counsel High School, she was co-captain of the Pom Squad for 2 years and created choreography for the hip hop and the lyrical routines. Carrie enrolled in classes at Knock on Wood Tap Studio, where she became a member of Tappers With Attitude under the direction of Yvonne Edwards and Renee Kreithen. Carrie had the opportunity to take lessons from many tap masters such as Lane Alexander, Bakaari Wilder, Jeannie Hill, Dianne Walker, Brenda Bufalino, and Jimmy Slyde. While at Trinity College, she joined the adult dance company Step Aside, as well as Artistic Rhythms Alliance (ARA). Besides being a part of dance companies, Carrie also has been sharing her dance through teaching. She has taught before at KOW, Concepts of Motivation at Olney Studio of Dance, Body Rhythms Performing Arts, and Joe’s Movement Emporium.
Carrie is also an IT Specialist with the Department of the Treasury.
Director of Programming, Knock On Wood; Founder/Artistic Director, Capitol Tap & District
Raised in her mother's dance studio, Lisa Swenton-Eppard has spent all of her life learning dance. In addition to founding and directing Capitol Tap, Lisa is currently Director of Programming at Knock On Wood Tap Studio and adjunct professor at Bowie State University. She was featured in Dance Teacher Magazine in May 2015, selected as the "Teacher in the Spotlight" for Dance Studio Life Magazine in March/April 2013, and a recipient of two Arts and Humanities Council of Montgomery County grants. With 30 years teaching experience, Lisa is always looking to further her own tap education through classes, festivals, and intensives. Raised in the competition circuit, she went on to become a judge at dance competitions, and served on the committee as well as choreographed for a local Miss America pageant. Lisa's most recent positions include DC TapFest faculty for 2013, 2014, and 2015, assistant director of Tappers With Attitude Youth Ensemble from 2002-2010, Chloe and Maud Productions' Summer Tap Boot Camp faculty in 2010, Black Rock Center for the Arts faculty from 2002-2009, Step Aside Tap Company member from 2001-2006, and a selection committee member for the Metro DC Dance Awards for many years. Lisa holds a B.S. in Psychology from Frostburg State University.
Candace’s dance life started – like most do – at a very young age, and has covered a wide range of disciplines, including tap, jazz, ballet, pointe, modern, hip-hop and pom. She has been dancing for over 25 years as part of performing troupes, dance teams, and competition teams, and has been a choreographer and instructor for over 10 years.
As a teenager, Candace attended the Virginia Governor’s School for the Arts, where she studied Musical Theater and served as the group’s dance captain. As a member of the group’s select troupe, she traveled to Japan for a performance tour, and participated in dozens of Broadway revues and shows, including Will Roger’s Follies and Chicago. At the collegiate level, Candace was a member of the James Madison University Dukettes, a very competitive and nationally ranked dance team. Over the years, she has studied with several notable choreographers, including Baakari Wilder (Bring in ‘da Noise, Bring in ‘da Funk, original cast) and Denise Wall (Denise Wall’s Dance Energy), and her own routines have received several awards at both regional and national competitions, for both choreography and high scores. Candace is also a current and founding member of the historic adult performance company District Tap, and is a sought-after instructor across the DC Metro area.
Candace received her Bachelor’s Degree from James Madison University, and has years of political campaigning experience, from campaign management to media consulting. She returned to academia in 2010 to receive a Masters Degree from the University of Maryland, where she is also currently pursuing her Ph.D. in American Politics and Statistics, and is projected to complete her graduate work in 2017.
Assistant Artistic Director, Capitol Tap
Baakari Wilder is internationally known for starring in the Broadway musical Bring In Da Noise, Bring In Da Funk. He received a Bessie Award for his performance, and later assumed the lead role for a year. At the age of 12, he opened the show at the Kennedy Center for a star-studded tap review that included the legendary Brenda Bufalino, Sandman Simms, Harold Nicholas, and Savion Glover. He was the first recipient of the Steve Condos Award, created by Lorraine Condos in honor of her late husband. At 16, Baakari became a member of Savion Glover’s tap group, Real Tap Skills, consisting of three other tap dancers from the metropolitan area. Baakari’s dancing has delighted audiences around the world in places such as Carnegie Hall, Lincoln Center, France, Africa, Brazil, Germany, and Japan. He appeared in Spike Lee's “Bamboozled,” the Discovery Channel’s “Time Warp,” and as a guest performer on FOX channel’s “So You Think You Can Dance.” Baakari has a Bachelors of Arts degree in theater from the University of Maryland at College Park. He is the Assistant Artistic Director of the Washington, DC based company, Capitol Tap. Baakari was recently granted the 2014 Pola Nirenska Award for Achievement in Dance.
Rita M. Wilson has been dancing for over 20 years. She began studying at the Davis Center for the Arts and then moved on to the Jones-Haywood School of Ballet. In her late teen years, she joined Tappers With Attitude, which afforded her the opportunity to dance at the Apollo Theater. Since then, Rita has earned her BS degree in Business Management; her MBA, concentrating in Nonprofit Management; and is currently working on her MA, concentrating in Managerial Accounting. She has used her educational background to develop a nonprofit organization that aids in offering dance scholarships around Washington, DC. Rita has also formed a small tap company that rehearses in her home studio.
Michael Wooden began tapping at the age of 7 years old. He was one of the first members of Tappers With Attitude's Junior Company and moved quickly to the Core Company. Michael assisted TWA instructors Yvonne Edwards and Renee Kreithen ornamenting the dance for the Kennedy Center Honors to Shirley Temple in 1998. Michael has appeared at the Kennedy Center in the Brothers of the Night production under the direction of Debbie Allen. He has also performed a solo at the 11th Annual Capital Awards gala with guitarist Pepe Gonzales at the Strathmore. Michael has been teaching since the age of 13.